Borrowed poetry is my personal term for the variety of poem that is designed by scavenging for bits of sentences or phrases from other sources.
When accomplished appropriately, it is far from plagiarism. As an alternative, borrowed poetry pays homage, brings new life, or it can bring an added depth to the words of other individuals.
~*~
Cento/Semi Cento
Of the 3 types I will share currently, the cento is the oldest. It comes from the minds of ancient Greece and Rome, and its goal was to honor. "In Latin the word cento signifies 'patchwork,' and the verse kind resembles a quilt of discrete lines stitched collectively to produce a complete. The word cento is also Italian for '1 hundred,' says NY Instances writer David Lehman (Lehman). Even even though it signifies patchwork, it really should flow with each other seamlessly.
Short HISTORY
In a Malleable Jangle short article Giles Goodland states, "The cento as a type was initially designed in ancient Greece when poets began stitching collectively their personal poems totally from lines or verses taken from Homer. This kind of poetry later became identified as the cento, from the Latin word for patchwork, or probably from kentron, a Greek word which means to graft trees." There are not numerous centos that have endured the ravages of time, but I discover it fascinating that a Brief 1 is on the leg of an Egyptian statue (Goodland).
Really should HAVES
---Lines should really be gathered from poetry.
---Really should by no means add a lot more words.
---Ought to in no way eliminate any words - no matter how inconvenient they could be.
---Should never ever modify a word - take them as the are.
May well HAVES or What is The Poet's Selection In All This?
---Can be any quantity of lines
---Rhyme or not.
OF NOTE
VARIATION one: A variation on the cento is the semi-cento. Don't forget that cento is also Italian for 1 hundred? The semi-cento assumes the basic cento is one particular hundred lines extended, and hence states that a semi-cento is fifty lines extended. All other cento guidelines apply.
VARIATION two: A different variation is the cento collage. In this version you would mesh your personal words with lines from other poets.
Final note: Please, please, please, generally quote your source. Spot a essential or notes at the bottom of your poem indicating which lines have been originated by whom. As writers we, above all, know how it would really feel if an individual took credit for our work.
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Located Poetry
As opposed to the cento and semi-cento, Identified poetry can be Located anyplace. The pretty heart of this type is to turn a thing that wasn't born poetry - into a poem. Related to Identified art, a Identified poem can be Identified anyplace: from words on street indicators to overheard conversation; from notes and letters to magazine and newspaper articles.
Short HISTORY
According to the Teachers and Writers Handbook of Poetry by Ron Padgett, "some of the earliest and most engrossing Located poetry is in Charles Reznikoff's Testimony, primarily based on courtroom trials" (Padgett, 79).
Really should HAVES
---Ought to uncover words someplace.
---Should really format these words so they take on a poetic top quality - putting line breaks, italics, bolding, and so on. in order to develop emphasis and depth.
---Should by no means add a lot more words.
---Ought to never ever take away any words - no matter how inconvenient they may well be.
---Need to never ever modify a word - take them as the are.
May perhaps HAVES or What is The Poet's Option In All This?
---Exactly where you uncover your words.
---How quite a few lines lengthy you generate it.
---How you opt for to arrange them.
---No matter if or not you use a entire letter or write-up, and so forth. Try to remember, you may perhaps not get rid of words, but practically nothing I've observed says you may possibly not use only the starting (middle or end) section of anything. Having said that, I would create mention of it in my source notes.
OF NOTE
VARIATION: I have also observed a variation on this that appears to cross the Identified poem and the cento. In this version the poet will take bits from many sources (like the cento), but it can be from anyplace (like the Discovered poem).
***Please, please, please once more - usually quote your source. Spot a essential or notes at the bottom of your poem indicating Exactly where you scavenged the words for your poem. Indicated who stated it (if identified) and Exactly where it was mentioned, in the case of some thing overheard.
~*~
Very first Lines Poem
A 1st lines poem is Equivalent to a cento, in that you use poetry to make it. This time you use your personal poetry. I have not observed this poetry kind anyplace but writing.com. I participated in a contest in the fall of 2002, so this could be a newer poetry kind. Regrettably, I think the member who hosted the contest is no longer with the internet site, so I can't confirm Exactly where they Located the poetry kind or Exactly where (and why) they came up with the thought.
Short HISTORY
As said above, I am unsure of the history of this type other than a contest I participated in just over 5 years ago. I incorporate it with this group due to its Equivalent borrowing nature.
Really should HAVES
---Need to have written at least as numerous poems as you want your very first lines poem to be.
Might HAVES or What is The Poet's Option In All This?
---Can be any quantity of lines.
---Can rhyme or not.
OF NOTE
Plagiarism is not a challenge when working with your personal work. Nonetheless, you could wish to inform the reader Exactly where they can come across the original very first lines.
SOURCES:
Goodland, Giles. "Notes towards a History of The Cento." Malleable Jangle 01 Mar 2008 .
Lehman, David. "POEM; Those Fragments I Have Shored." NY Occasions 02 Apr 2006 01 Mar 2008 .
Padgett, Ron. Teachers & Writers Handbook of Poetic Types. 2nd. NY: T & W Books, 2000.
© 2008 Holly Bliss. All Rights Reserved. This document could be freely redistributed in its unedited kind and on the situation that all copyright references are kept intact along with the hyperlinked URLs.
About the Author: Employing her writing as paint on the canvas of her life, Holly Bliss is an eclectic writer, newsletter editor and an author on http://www.Writing.Com/ which is a internet site for Poetry
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